TCP continues its journey about traditional tales with Little Red Riding Hood, apparently in its most popular version, that is the one where the granny and her granddaughter, after being greedily eaten by the wolf, are saved by the providential hunter. This is the edition that inspired us most, even if we didn’t neglect to pay homage, for some details, to other several known versions, like the Perrault’s, the Grimm Brothers’ and the previous ones originated in popular orality – the very popular one that Neil Jordan told in his film The company of wolves. This is the point of departure that lead TCP to a staging with figures where, together with the research on the language of tales with its numerous nuances, it deepens the work on animation techniques that has always characterised its productions.

Stage:
- black back and black wings
- m. 7 (wide) x m. 8 (depth) x m. 5 (high)
- possibility to put nails on the floor of the stage
- possibility to put on stage the table with mixer light and sound
- load factor required 8KW (380w, 32A, 220v)
- total darkness of the theatre